Movie Review: The Orphanage by ME
Title: El Orfanato (The Orphanage)
Starring: Belén Rueda, Fernando Cayo, Roger Príncep, Geraldine Chaplin, Montserrat Carulla (II)
Directed By: Juan Antonio Bayona
Produced By: Guillermo del Toro, Mar Targarona, Álvaro Augustin
Genre: Art/Foreign, Suspense/Horror and Thriller
Running Time: 1 hr. 45 min.
Release Date: December 21st, 2007 (wide)
MPAA Rating: R for some disturbing content.
Distributors: Picturehouse
My rating: 9/10 (Only because I don't like subtitles, lol)
With the intention of opening a home for sick and disabled children, Laura (Belén Rueda) moves into the orphanage she grew up in, along with her husband, Carlos (Fernando Cayo), and their son, Simón (Roger Príncep). As the opening of the home approaches Simón's small group of imaginary friends grows, hinting at something more than child's play. Before opening day is over Simón disappears, pulling Laura into a dark game that threatens to destroy her sanity.
A quick review for a movie that really needs to be seen in order to believe just how good it is, The Orphanage is by far the scariest movie I have seen in a long, long time. Director Juan Antonio Bayona takes his cues from producer Guillermo Del Toro using the same dark fantasy storytelling that was prevalent in Del Toro's Pan's Labyrinth, making me wonder if Del Toro pulled a Poltergeist and had more to do with the film than we are led to believe, just as Steven Spielberg “lent a helping hand” to Tobe Hooper in directing Poltergeist.
Speaking of Poltergeist, the best way to describe The Orphanage would be to take Poltergeist, The Haunting and Pan's Labyrinth and put them in a blender, mix, and then sprinkle a little bit of The Others on top. Bayona uses suspense like a master, building tension out of nothing at all. I found myself sitting on the edge of my seat for no reason at all. Low angles are used where you would expect to see a hand snake out of the darkness. Or a far away shot where you expect someone to step into frame watching the lead characters. Those are just a few examples of how he creates tension and keeps it up by not using those moments, instead opting to keep the tension tight. The creepy sound design and eerie music add to the overall tone of the film quite nicely.
For once there is a movie where the performances take a backseat to the story itself, which is a good thing, because as with Pan's Labyrinth, it is hard to judge an actors ability when you can't speak their language. You don't get the cadence and tone and inflection that we use to judge the actors ability to project emotion. On the other hand, a performance can also be graded on body language and the ability to express emotion with your eyes, and that is how I judged the actors in The Orphanage. We spend most of the movie with Belén Rueda, who plays Laura. She carries the film well as a distraught mother who knows her son is still alive. Her anguish comes across quite clearly as she knows what to do, but not how to do it. While Fernando Cayo,as Laura's husband, has a few scenes where you can see in his eyes how much he cares for Laura and how helpless he feels because he doesn't know how to help her while in other scenes, it seems he's just going through the motions.
If you liked the Pan's Labyrinth, you will like The Orphanage, trust me. Even if you haven't seen Pan's Labyrinth, like horror films and can handle subtitles, then see The Orphanage. With scares, plot twists, atmosphere and just all around plain creepiness, The Orphanage is what I consider to be a prime example of suspense/horror.
Until Guillermo Del Toro and Clive Barker collaborate,
keep reading
Mitch Emerson
mitchemerson@hotmail.com
Title: Sweeney Todd: The Demon Barber Of Fleet Street
I really must insist on telling you a few details about myself before continuing on to the review. And yes, it is pertinent information so don't skip ahead. First, I do not really like musicals. There are a few that I can stand like The Wizard of Oz and The Rocky Horror Picture Show. The only one that I have actually liked is Across The Universe and that was more for the music than anything else. The key is that those are all contemporary musicals with either rock and roll or at least modern song structures as in the case with The Wizard Of Oz. The second thing is that the only knowledge of Sweeney Todd that I had before seeing the film was what I had gleaned from Kevin Smith's Jersey Girl. Not the best place to learn about musicals, am I right?
On the other hand, the performances and production values almost make up for the amount of music in the film. Depp is at the top of his game and mesh's very well with Helena Bonham Carter's Mrs. Lovett. Both play their parts to the brink of being over the top without following the music over the edge. Alan Rickman and Timothy Spall are delightfully creepy as Judge Turpin and his assistant Beadle Bamford. Sascha Baron Cohen really stole the show during his short appearance in the film though. His Signor Adolfo Pirelli was absolutely the most fun performance. Burton really should have kept him around longer.
In a nutshell, Tim Burton is the master at creating dark films and when you team him with Johnny Depp you know that you will get your moneys worth. Thus far Sweeney Todd is Depp and Burton's sixth collaboration together and they seem to have found their stride. And yet while Sweeney Todd worked for me on a story-telling level, the over abundance of music turned me off. I would say that Sweeney Todd is not for casual movie fans, you really should be either a real big fan of musicals or Tim Burton's biggest fan to truly appreciate Sweeney Todd.
Title: Juno
Following up 2005's Thank You For Smoking, Jason Reitman, son of director Ivan Reitman, shows that he has inherited his father's talent for comedy. A rather quirky film that should appeal to todays audiences with it's wit, likeable if not lovable characters portrayed by a perfect cast, and way too many comedic verbal fusillades to count, Reitman and Cody surely have a hit with Juno.
Ellen Page will be a star in the near future. After the cult hit Hard Candy and her small role in the mainstream X-Men 3: The Last Stand, Page comes through once again as a talent to be reckoned with. Perfect comedic delivery and the ability to turn serious without being melodramatic is one of her key talents. Michael Cera still bugs me a bit, the kid seriously needs to man up a little. I have only seen him in Superbad and Juno but there is basically no difference in either character. Sure he's funny in these situations, but he's going to be pigeon holed if he doesn't show some variety soon. J.K. Simmons and Alison Janney almost steal a few scenes away from Page as her parents. The best way to describe them is the most realistic version of a teens fantasy parents. Simmons is great in every scene but watch for Janney's tirade against a snobbish ultrasound technician, it's one of the best scenes in the movie. Jason Bateman and Jennifer Garner are great as the proposed adoptive parents. They don't seem to fit together perfectly, which may have been done on purpose, but Bateman plays the slightly whipped husband perfectly. I know a few guys whose stuff has been relegated to one room in the house and can feel for Bateman. Garner, having just had a child in real life with husband Ben Affleck, probably didn't need to dig too deep for motivation in this film, which makes her performance that much better. Last mention is a quick cameo by Rainn Wilson of The Office, who has one of the best lines in the film as a lowly convenience store clerk.
Even though I haven't given many reasons to see Juno, I can only say that it is a package deal. The closest thing I can even consider a flaw is the dialogue. I don't think that many teens actually speak the way these characters do, but if you can get around that, then Juno is for you. Aside from that, Juno is by far one of the best comedies I have seen in a long time that doesn't feature gross out humor. It has already become one of my favorite films and will be a welcome addition to my collection.
Title: National Treasure: Book of Secrets
This time around Ben Gates (Nicolas Cage) is ostensibly seeking to clear Thomas Gates (his great-grandfather) name in the conspiracy to assassinate Abraham Lincoln, but it always boils down to the treasure. Mitch Wilkinson (Ed Harris) is the man who brought these accusations against Thomas Gates in order to manipulate Ben into doing all of the work for him. Of course Riley (Justin Bartha), Abigail (Diane Kruger) and Ben's father Patrick (Jon Voight) are along for the ride.
Nicolas Cage reprises his role as Benjamin Gates just the same as before, no real growth for him and his character. The real let down though is Justin Bartha's Riley. In the first film he was a semi-clueless tech expert who delivered his sarcastic lines with a timing that made him second only to Cage. In BOS, he has matured a little which means some of the humor is gone. Diane Kruger returns as Abigail Chase and just like the first film, is dragged along for the ride. Jon Voight chews up the scenery with a performance that at time reminded me heavily of Sean Connery's Dr. Jones Sr. in Indiana Jones and the Last Crusade while new addition Helen Mirren knocks what little screen time she has out of the park. Lastly is Ed Harris as Mitch Wilkerson. A great actor who has played heroic roles in The Abyss and Needful Things, and as a good/bad government agent in A Beautiful Mind brings elements of all of these to Mitch. He wants the Wilkerson family name to go down in history and is willing to do anything to do it.
National Treasure: Book of Secrets doesn't quite live up to it's potential but it is a fine family alternative to seeing whatever cutesy animated film that is releasing this week.
Title: Walk Hard: The Dewey Cox Story
Sounds like a biopic like Walk The Line doesn't it? Well, if you have been hiding under a rock the last few weeks and haven't seen any of the ads for Walk Hard: The Dewey Cox Story, then let me tell you, it isn't. Walk Hard parodies Walk The Line and many other biopics. With sight gags that go beyond the crowning scene in Knocked Up to witty phrasings in song, Walk Hard is a solid effort that falls just shy of the mark made by Team Apatow's earlier efforts. That's not to say that it isn't a funny film, but it lacks the heart of Superbad, Knocked Up and The 40 Year Old Virgin. 
Maybe I am putting too much blame on Apatow. Jake Kasdan, the director, could still be considered a little wet behind the ears with only Walk Hard, The TV Set, Orange County and Zero Effect under his belt film wise. To give him credit where deserved, he also directed a few episodes of Freaks and Geeks, the cult classic TV show that was the launching point for many of Apatow's regulars.
Final thoughts – While not one I would buy for my collection, Walk Hard is, at it's core, a funny movie that delivers the laughs, but falls short in character development. And I must warn you, there are a few shots of male full frontal nudity along with very suggestive, but very funny, lyrics in a few of the songs.
Title: I Am Legend
Title: Hitman
Title: Blade Runner: The Final Cut