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November 26, 2007

Scissors for Lefty Remix

Scissors for Lefty, who I think are the coolest band to enter the PenCapChew PO Box in MONTHS (review to come soon - promise) are now remixing their songs and offering up an original Christmas track.

I haven't heard the remixed tracks but I trust Scissors for Lefty enough to say this is something to be excited about.  I love reviewing shit I haven't actually listened to.  Let me convince you this way:

Four Highly Excellent Things About Scissors For Lefty 

1.  They reference ginger snaps in one of their songs

2.  They are minimalist without drilling a boring drum line into your skull

3.  They do this upbeat thing without being annoying

4.  They run around the country with Juliette and the Licks

Scissors for Lefty

Find the remixes at www.myspace.com/scissorsforleftyremixed

November 21, 2007

Movie Review: Hitman

Title: Hitman
Starring: Timothy Olyphant, Dougray Scott, Olga Kurylenko, Robert Knepper, Ulrich Thomsen
Directed By: Xavier Gens
Produced By: Charles Gordon, Adrian Askarieh (II)
Genre: Action/Adventure and Adaptation
Release Date: November 21st, 2007 (wide)
MPAA Rating: R for strong bloody violence, language, and some sexuality/nudity.
Distributors: 20th Century Fox Distribution

There is nothing wrong with making a movie from a video game. Most of the time the stories are longer and more intricate to keep people interested. Sometimes, when a property crosses to a new medium, things are lost or the creators try throwing too many in-jokes for fans of the game. Hitman doesn't do that. It makes for an above average action flick that balances story with intense fighting while not catering to the fans or dumbing it down for a new audience.

Hitman doesn't waste any time creating a backstory for our hero Agent 47 (Timothy Olyphant). Genetically engineered and raised by The Orginization as an assassin for hire, Agent 47 finds that he is setup and is now on the run from The Organization, a determined INTERPOL agent (Dougray Scott), a crooked Russian Politician (Ulrich Thomsen) and his pocketed policeman Yuri (Robert Knepper). All while trying to keep Nika (Olga Kurylenko) alive as she is the only other one who knows what is going on.

There are only three real players in Hitman. Olyphant is a good actor who gives Agent 47 just enough personality for you to not think of him as a mindless killing machine. He shows his adeptness with weapons and then turns around and easily shows how little experience he has with women. Namely, Olga Kurylenko, who really doesn't have much to do except show of her body and cry a bit. Dougray Scott as Mike was the best performance only because I think Olyphant had to hold a lot of emotion back. I can't really back it up with examples because most of these characters are your basic cookie cutter characters, but are fleshed out enough for my taste.

The action sequences are more believable than the Matrix and not shot using todays favorite, the shakey cam. You can actually see what's going on on the screen, imagine that! What is lacking is a bit of backstory for Agent 47, but I understand that there isn't a lot of story given to him in the game either, so I'll let that one slide. Also missing are the blatant nods to the fans of the game... well mostly. There was one scene where 47 crashes into a hotel room where two kids are playing... yep, you guessed it – Hitman. But, that was the only cheesy game reference I noticed.

Hitman is definitely worth a rental on DVD. None of the action is grandiose enough to really warrant seeing on the big screen and parents can't even dump the kids in the theater while Christmas shopping as the film is rated R for violence and a little more nudity than I expected, even if only from Olga Kurylenko. All in all a solid effort by writer Skip Woods and director Xavier Gens. I really wanted to make a joke about how decent of a movie it is for being written by a “Skip” and directed by an “Xavier”, but the film is better than that low of a blow.

7 out of 10

Visit the official site at http://www.hitmanmovie.com/

Keep reading,

Mitch Emerson
mitchemerson@hotmail.com

Movie Review: August Rush

Title: August Rush
Starring: Freddie Highmore, Robin Williams, Keri Russell, Jonathan Rhys Meyers, Terrence Howard
Directed By: Kirsten Sheridan
Produced By: Ralph Kamp, Louise Goodsill, Robert Greenhut
Genre: Comedy and Musical/Performing Arts
Release Date: November 21st, 2007 (wide)
MPAA Rating: PG for some thematic elements, mild violence and language.
Distributors: Warner Bros. Pictures Distribution

Convinced that music is the key to finding his parents (Keri Russell and Jonathan Rhys Meyers), 11 year old Evan (Freddie Highmore) leaves the orphanage and ventures out into the world.  He discovers an awe inspiring talent for music within himself that he uses to help his parents find him.  Along the way he meets people who wish to help him find his way, those who wish to exploit his musical talent for their own gains, and some who just want to help him realize his full musical potential.

August Rush could almost be considered a fairy tale. You have the little boy searching for his lost parents using an almost magical talent, the mother, all in white searching for her lost son, the father looking for his long lost love, the helpful fairy (Terrence Howard's character), and the bad guy trying to keep August and his talent all to himself.

Being a musician myself, I seem to have an affinity for movies about musicians. Especially films that portray music in a new and interesting way. August Rush is one of those films. Taking environmental noise and creating music from city sounds like traffic, footsteps and cars to show how a prodigy can find music in everyday sounds is expressed very well. Relatively new Director Kirsten Sheridan knows how to pull the heartstrings, only falling into the sappy section once or twice.

Freddie Highmore, Keri Russell, Jonathan Rhys Meyers , Terence Howard and Robin Williams are all on the ball here. Highmore exudes such joy at making music that every time he played, I couldn't help but smile. Russell and Rhys Meyers seem to be a big part of the story without really being a big part of the story. It's all about Highmore, not even Robin Williams, who by the way looks like he raided Bono's garbage for his wardrobe, can't even outshine him. Williams himself continues his streak of playing roles that are a little different for him. His turn as Wizard is a blend of all of his talent, humor and drama with a little craziness thrown in for good measure. Terrence Howard's part, although small, gives him another opportunity to prove that he will be a big name in the future. The first time he meets Evan/August, you can see in his eyes how much he cares.

The look and feel of the film are appropriate for each part of the story. You have a slightly gritty feel for rock and roller, a lighter feel when telling Lyla's side of the story and the best example is Wizards condemned theater, home to a group of children that he trains musically to panhandle. That set looks remarkably like the Lost Boys village in Hook, coincidently starring Robin Williams as well. Speaking of coincidences, there are way too many in the film, everybody crosses paths in there journeys or just misses them, which gets overused and seems a little hokey at times.

August Rush may be predictable, but the music, cast and emotion make up for the predictability and the sometimes ridiculous coincidences that pepper the film. This movie will appeal to a wide audience, from music aficionados to kids, romantics to couples and anybody who just wants to feel good. I highly recommend August Rush to the masses.

8 out of 10

Official Site - www.augustrushmovie.warnerbros.com

Until Robin wins a Bono look alike contest,
keep reading

Mitch Emerson
mitchemerson@hotmail.com

November 19, 2007

Copeland gets rare material release. Finally. Now we can sleep.

After a year filled with uncertainty and change for Copeland, it seemed an ideal time to pause for reflection. A retrospective of the band’s stellar seven-year history (2000 – 2007), this 14-song gem is loaded with music that all fans will consider must-haves while serving as the perfect introduction for newbies.
Founding member Aaron Marsh says of Dressed Up & In Line: “This is not a comprehensive collection. There are far too many acoustic recordings, demos and live bootlegs to include. Instead this is a collection of the essential non-album tracks from over the years. While some of these recordings make us a bit red-faced as all artists get when they listen to their old material, each of these songs has a bit of nostalgia, an interesting story, or marks a milestone in our career. The opportunity to prepare this collection has been a trip down memory lane for us.”

Yet far from a simple rehashing of familiar material, each song on Dressed Up & In Line has been reworked, whether that means a new guitar lick or new vocal harmony or a totally remixed track. But fear not because that classic Copeland signature sound still remains intact. 

The collection also includes covers of Soundgarden’s “Black Hole Sun” and The Police’s “Every Breath You Take” – as well as some of the first songs the band ever laid down in “That Awful Memory of Yours,” “May I Have This Dance” and “Second Star To The Left, Go 'Til Dawn.”

Some of the most alluring moments come as the band re-tools some of its most memorable tracks, from the now swooning pace of “You Love To Sing,” to the almost danceable version of “Sleep” to the stripped-down elegance of “No One Really Wins”; these tracks are at once both fresh and familiar.

As listeners take this journey alongside the band they have come to know so well over the years, they will find that there is still more to discover about their storied past.  And most certainly, it gives us one more reason to get in line to follow them for many promising years to come.

November 16, 2007

Blade ARunner: The Final Cut review and city listings

Blade RunnerTitle: Blade Runner: The Final Cut
Starring: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh
Directed By: Ridley Scott
Produced By: Brian Kelly, Hampton Fancher, Michael Deeley
Genre: Action/Adventure, Drama, Science Fiction/Fantasy and Thriller
Release Date: Various Dates
MPAA Rating: R for violence and brief nudity.
Distributors: Warner Bros. Pictures Distribution

The lights go down, the projector hums. Up on the big screen is Blade Runner, a movie that has gained an immense following over the last 25 years, myself included. With multiple versions of the film out there, hopefully Blade Runner: The Final Cut will be the (groan) final cut. I own the special edition Director's Cut that was released in 1999 and there are only a few noticeable differences. Gone is the stuntman in a wig for Zhora's death scene, re-shot and edited in with new footage that removes what some say is the worst stunt in history. They even got Joanna Cassidy to play Zhora again. Otherwise it's pretty much the same as the Director's Cut. So why spend your money to see it on the big screen? Because it's all about seeing Blade Runner on the big screen. If you are lucky enough to have a screening near you I would recommend attending. I love when my favorite films come back to the big screen. See, I was too young to catch Blade Runner at the theaters when it was originally released and to see the final version up there, how could I pass that up?

If you have been in a coma for the past 25 years, Blade Runner is a Ridley Scott film based on the novel Do Androids Dream Of Electric Sheep by Phillip K. Dick. Harrison Ford stars as Deckard, a cop (or Blade Runner) who tracks down life-like androids called replicants. A group escapes and finds it's way back to Earth and Deckard is pulled out of retirement to dispose, or retire as it's called in the film, this group. Also starring Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos and M. Emmet Walsh, Blade Runner is considered a classic by most moviegoers.

I really don't think that full review of the film is really necessary but for those who want to know a little more I will say that this movie has garnered so much attention over the years for a reason. Extremely thought provoking as it raises questions dealing with racism, discrimination, the inability to change ones future as well as the question of what is humanity in the first place. Excellent acting and directing by Ridley Scott based on a novel by Phillip K. Dick is what keeps Blade Runner relevant even now. Just an all around great sci-fi movie that will be around (and still relevant) for at least another 25 years.

Now if you are lucky enough to live in or near one of the cities that is showing Blade Runner: The Final Cut, I recommend you take advantage of it as it may be the last time you get to see it in theaters. I've included a list of the cities, theaters and the type of print they have. If you are here in Detroit and know the Landmark Main Art Theater in Royal Oak, then you know that the older theater only adds to the time warp effect of seeing Blade Runner on the big screen, with the old school columns in the main theater as well as the lobby that even has couches for you to sit back and discuss the film with your friends. Don't let this opportunity pass you by! It's only going to be at the Main Art for ONE WEEK ONLY starting Nov. 16th.

Until the final final cut of Blade Runner,
keep reading

Mitch Emerson
mitchemerson@hotmail.com

10/26 - Seattle (Cinerama, Seattle - 35mm)

10/26 - Washington D.C. (Uptown, D.C. - 35mm)

10/26 - Portland (Cinema 21, Portland - 35mm)

10/26 - Salt Lake (Gateway Megaplex, SLC - Digital)

11/2 - Chicago (Music Box, Chicago - 35mm)

11/2 - Santa Barbara (Arlington, Santa Barbara - Digital)

11/2 - Baltimore (Landmark Harbor East, Baltimore - Digital)

11/9 - Boston (Coolidge Corner, Brookline - 35mm)

11/16 - Detroit (Main Art, Detroit - 35mm)

11/18 - Austin (Paramount, Austin - 35mm)

11/30 - San Francisco (Embarcadero, San Francisco - 35mm)

11/30 - Dallas (The Inwood, Dallas - 35mm)

11/30 - San Diego (Ken, San Diego - 35mm)

11/30 - Minneapolis (Uptown, Minneapolis - 35mm)

12/7 - Denver (The Landmark @ Greenwood Village - Digital)

12/7 - Philadelphia (The Ritz 5, Philadelphia - 35mm)

12/25 - Boston (The Brattle, Cambridge - 35mm)

1/2/08 - Austin (The Paramount, Austin - 35mm)

1/4/08 - Nashville (The Belcourt, Nashville - 35mm)

1/18/08 - Durham (Carolina, Durham - 35mm)

2/1/08 - Columbus (Drexel Gateway, Columbus - 35mm)

2/15/08 - San Francisco (Castro, San Francisco - 35mm)

2/29/08 - Sacramento (Crest, Sacramento - 35mm)

November 15, 2007

Awaken the Dead review link

Beside being the resident movie reviewer for PenCapChew, I also review DVD's for a horror site called Fatally-Yours.com. Since Sarah over there has been kind enough to send me screeners, those reviews are only posted there. Here is a "teaser" of my review of Awaken the Dead and a link to the full review.

Awaken the Dead is a low budget horror film that raises the bar more often than not. Taking the standards of zombie films and adding a slight twist makes this one of the best films that I have reviewed for Fatally-Yours.com. A plot that includes conspiracies, Jehovah's Witnesses, Asian Schoolgirls, killer pimps and an assassin turned priest makes Awaken the Dead sound like a comedy or a so-bad-it's-funny schlockfest. Let me tell you, it is a pretty enjoyable piece of work. That's not to say that it doesn't have it's share of problems but all in all the good outweigh the bad.


To read more, click here.


If the above link shows as code, here is the address, just copy and paste.

http://www.fatally-yours.com/horror-reviews/awaken-the-dead/


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